Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Capriccio: The Horses of San Marco in the Piazzetta | View of San Giuseppe di Castello (detail) f | Capriccio con i cavalli della basilica posti sulla Piazzetta (mk21) | Venice: The Canale di San Marco with the Bucintoro at Anchor f | The Piazzetta- Looking South |
Related Artists:
FLEGEL, Georg
German painter (b. 1566, Olomouc, d. 1638, Frankfurt am Main). was a German painter, best known for his still life works. Flegel was born in Olmetz (Olomouc), Moravia. Around 1580 he moved to Vienna, where he became the assistant to Lucas van Valckenborch I, a painter and draughtsman. Flegel and his employer later moved to Frankfurt, which at the time was an important art-dealing city. As an assistant, he inserted items such as fruit, flowers, and table utensils into Valckenborch's works. In a period of about 30 years (c. 1600-1630), he produced 110 watercolor pictures, mostly still life images which often depicted tables set for meals and covered with food, flowers, and the occasional animal.
Nils von Dardel
Swedish, 1888-1943,Swedish painter. After a short time at the School of Art in Stockholm, which he found too conservative, he travelled for the first time to Paris in 1910. There he immediately made contact with the Scandinavian artists who were pupils of Matisse and with them made his debut in Stockholm in 1912 as a member of the Man of the Year 1909 group. Under the influence of Cubism, Dardel painted a townscape of Senlis, in a style that eventually developed into the sophisticated naivety of Funeral in Senlis (1913; Stockholm, Mod. Mus.).
Sawrey Gilpin
1733-1807 English Sawrey Gilpin Gallery Gilpin was born 30 Oct 1733 in Cumbria, the son Captain John Bernard Gilpin, a soldier and amateur artist. His elder brother William Gilpin was a clergyman, schoolmaster, and author of several influential works on picturesque scenery. Apprenticed to the marine painter Samuel Scott of Covent Garden, Sawrey came to specialise in painting animals, particularly horses and dogs, which he sometimes added to backgrounds by other artists, including Philip Reinagle, George Barret and J. M. W. Turner. He was patronised by Prince William Augustus, Duke of Cumberland. Gilpin was Director and President of the Society of Artists, and a member of the Royal Academy from 1796. Sawrey Gilpin married Elizabeth Broom; their son William Sawrey Gilpin also became an artist, and in later life a landscape gardener. He died at Broughton, Northamptonshire, England in 1807. Works by Sawrey Gilpin are in the collections of the Courtauld Institute of Art , Tate Britain [3], and the Royal Academy in London and the Fitzwilliam Museum, Cambridge.